FORTHCOMING CONCERTS/RECORDINGS

2023​​​​​

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• 8th Feb, 2nd performance of Psalms 44, by Emma-Marie Kabanova, co-sponsored by the Cambridge Interfaith Programme, Fitzwilliam College Chapel, University of Cambridge, UK 

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• 6th Feb, Psalms 44, for solo violin, to be performed by Emma-Marie Kabanova, for the Awake My Soul! Concert, co-sponsored by the Oxford Interfaith Forum and Deus Ex Musica, at St. Giles' Church, Oxford, UK

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• 29th Jan, All the Things Left Unspoken for solo violin, performed by Samuel Phua, for MCGP Saxophone Day - Guest Artist Recital and Masterclass, Mahidol University, Thailand

2022

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• 14th Dec, Near Stasis, for piano and percussion, performed by Karol-Adele Grenčstein and Emil Raja, Tallina Muusika-ja Balletikool (MUBA), Tallinn, Estonia

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• 28th Oct, All the Things Left Unspoken, for solo saxophone, Virgil Fok, Department Concert, Hong Kong Academy for Performing Arts (HKAPA) Concert Hall, Hong Kong SAR. 

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• 5th Oct, All the Things Left Unspoken, performed by Virgil Fok at the Hong Kong Academy for Performing Arts (HKAPA) Concert Hall, Hong Kong SAR. ​

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• 3rd Sep, Cello Sonata, recorded by Juan Aguilera Cerezo, Conservatorio Alcalá la Real, Spain​

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• 28th Aug, Met en Tegen de Zuiderzee, for Contrabass Panflute, second performance by Matthijs Koene (Black Pencil Ensemble) for the Soundwalk at the UNESCO World Heritage Site Schokland and Surroundings, Netherlands. ​

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• 10th July, Met en Tegen de Zuiderzee, for Contrabass Panflute, premiered by Matthijs Koene (Black Pencil Ensemble) for the Soundwalk at the UNESCO World Heritage Site Schokland and Surroundings, Netherlands. ​

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• 6th July 2022, A Commentary on Dowland's Farewell for solo guitar, performed by Bruno Pancek at the Festival International de Guitare en Béarn des Gaves, in Sauveterre-de-Béarn, France.  ​

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• 3rd July 2022, Psalm 44 for solo violin, written for The Psalms Project, organized in collaboration with Deus Ex Musica, performed by Joseph Edwards at the Institute of Contemporary Performance at 39 Ludgate Hill, London, UK. ​

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• 2nd July 2022, Near Stasis for piano and percussion, performed by Aya Masui and Pierre Delignies, for the New Music Days Festival, at the Blackbox, Hochschule Luzern (Lucerene University of Applied Sciences and Arts), Lucerne, Switzerland. ​

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• 18th June 2022, A Commentary on Dowland's Farewell for solo guitar, performed by Bruno Pancek at the Festival International de Guitare en Béarn des Gaves, in Salies-de-Béarn, France. ​

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• 9th May, Three Tree Tunes from the Garden City, for saxophone quartet, recorded by the Xin Saxophone Quartet for the Stories from Singapore project, at MusoSpace, Singapore (pending online premiere and interview)  

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• 15th Mar 2022, taught Composers Seminar on 'Musical Intertextuality' (inv. by Dr Zechariah Goh), Nanyang Academy of Fine Arts (NAFA), Singapore 

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• 12th Mar 2022, Spring Clouds on a Misted Dawn, for the Chinese orchestra, performed by the Singapore Chinese Orchestra, SCO Composer Workshop 2022, Singapore Conference Hall.

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• 13th Feb 2022, Kintsugi (⾦継ぎ) for bassoon, piano and percussion, performed by Mikaela Livadiotis (piano), Jonathan Phillips (percussion) and Blair Shepperd (bassoon), released by the Luna Collective's New Sounds Concert, in London, UK.

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• 1st Feb 2022, Near Stasis for piano and percussion, performed by Anri Hamatani (浜谷安里) and Aona Fukushima (福嶋碧菜), recorded at the Coppice Miyoshi/Miyoshimachi Cultural Center in Saitama (Greater Tokyo Area), Japan. 

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• 13 Jan 2022, Xenobots for bass flute, accordion and cello, performed by the Tedarim Ensemble: Jonathan Gotlibovich (Meitar Ensemble), Snir Kaduri and Yotam Einstein (Tedarim Programme), for the An Exit Into the Unknown Concert at Hall 221, JAMD (Jerusalem Academy of Music and Dance), Jerusalem, Israel.

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• 4 Jan 2022, Xenobots for bass flute, accordion and cello, performed by the Tedarim Ensemble: Jonathan Gotlibovich (Meitar Ensemble), Snir Kaduri and Yotam Einstein (Tedarim Programme), at the CEME 2022 (Contemporary Encounters Meitar Ensemble), International New Music Festival, at Studio Annette, Shvil Hameretz 2 Tel-Aviv, Israel. 

 

2021

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• 27 Nov 2021, The Memory Mansion at the End of Time for solo piano, to be performed by Jonathan Shin for the Catch Us if You Can concert at MusoSpace, Singapore.​

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• Oct 2021, Commentary on Dowland's Farewell  for guitar, recorded by Bruno Pancek, La Compagnie du Coudrier, Massy, France

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• 17th Oct 2021, Seismographs for solo theorbo, performed by Toby Carr from the Philomel ensemble, for the Theorbo Today Project, Richmond and Putney Unitarian Church, London, supported by the Arts Council of England grant ​

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• Sep 2021, All the Things Left Unspoken, presented in the Singapore Symphonic Orchestra's SSO Musical Soundbites educational series. ​

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• 25th July 2021, The Waltz in the Remembering Ear for mixed quintet, performed by Rita Fernandes, Abigail Lorimier, Daniel Swani, Leona Ana-Maria Crasi and Joanne Chiang. Conducted, filmed and produced by Bernardo Simoes. Recorded at the David Josefowitz Recital Hall, London 

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• 9th July 2021, All the Things Left Unspoken, for Samuel Phua, performed at Nanyang Academy of Fine Arts (NAFA), for the 10th edition of the Singapore Saxophone Symposium's Soliloquy concert, Singapore

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• 2nd Jun 2021, Kintsugi for bassoon, piano and percussion, the Luna Collective, David Josefowitz Recital Hall, Royal Academy of Music, London 

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• 6th May 2021, Near Stasis for piano and vibraphone, Joanne Chiang and Julian Chan, featured in the UK Conservatoires Composers' Concert (online) 

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• 27th Apr 2021, I Came I Slept I Departed  for string quartet, the Hill Quartet, Concert Room, Royal Academy of Music, London

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• 19th Apr 2021, Xenobots for bass flute, accordion and cello (Carte Blanche project), RAM students, Concert Room, Royal Academy of Music, London

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• April 2021, All the Things Left Unspoken, for Samuel Phua, performed at the Sibelius Academy in Finland 

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• 7th Apr 2021, The Canonical Hours for chamber ensemble (Book of Hours project), CHROMA, St. Mark's Regents Park Church, London

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• 26th Mar 2021, The Memory Mansion at the End of Time for solo piano (Harrison's Clocks project), George Fu, David Josefowitz Recital Hall, London

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• 9 Mar 2021, Spring Composers' Platform, Near Stasis for percussion duet, Joanne Chiang and Julian Chan, David Josefowitz Recital Hall, London

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• Feb 2021, Beyond the Nightingale Glass, for brass quartet and narrators, narrated by Jemma Claire-Weil**

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2020 

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• Dec 2020, 傳承 Concert Series, Triptych for solo piano, performed by Nicholas Loh, Esplanade Recital Studio, Singapore, supported by the National Arts Council of Singapore (NAC)

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• Nov 2020, Composer Platform, She Gently Rocks the Cradle for soprano and ensemble, performed by students of the Royal Academy of Music, Angela Burgess Recital Hall, London

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• Nov 2020, IMPRINT Concert Series, Carnival Duet for saxophone and clarinet, performed by Samuel Phua and Ralph Emmanuel Lim, Festive Arts Theatre, Singapore, supported by the National Arts Council of Singapore (NAC)

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• Oct 2020, conservatoire recital, Sketches for solo piano, performed by Jeonghoon Lee, Hochschule für Musik Nürnberg, Germany 

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• Jun 2020, Stained Glass for solo piano, performed by Maria Marchant (digital premiere), London, 7 Notes in 7 Days Project,

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• Mar 2020, KCL composer workshop, Chiasmus for quintet, performed by the Lontano Ensemble, Strand, King's College London, London

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Updated 31st Mar 2022