Upcoming Concerts
2024
13th Mar, Kintsugi score published for sale on Contemporary Music for All (CoMA) Catalogue |
10 - 19th Jul 2024, work for MIVOS Quartet, Valencia International Performing Arts Summer Festival |
31st Jan, Cello Sonata released on CD album: Vulneraria, Works for Cello Solo from XXI Century (II), by Juan Aguilera Cerezo, on NIBIUS Records |
23rd Mar, I came I Slept I Departed, for string quartet, Bryan Recital Hall, Bowling Green University, Ohio, United States, part of Praecepta's New Music Mini-Fest (guest artists: Joo-Won Park and Theodosia Roussos) - winner of Idiosyncrasies Call-for-Scores |
(Date TBC) - Speak-un-Listen for soprano, viola d'amore, and Finnish kantele, to be performed by Sopriola, for tour in UK and continental Europe |
May/Jun 2024, accordion sonata, Flavio Rodrigues, Royal Academy of Music concert (Details to be confirmed) |
Past Concerts
2023
28th Sep, 4th performance of Psalms 44, US premiere by prof. Angela Hanson, Free Lutheran College , Plymouth, Minnesota, United States |
28th Jul, Fragments of Sappho, for viol consort and narrator, Fretwork Viol Consort and Janet Oates, New Music for Viols concert (2023 Dartington Festival), Duke's Room, Dartington Hall, Totnes, UK |
20th May, Recording of Cello Sonata, by Brian Patrick Bromberg, DOM recording studio, ShanGORIL La Records, Hong Kong SAR |
14th May, 3rd performance of Psalms 44, by Emma-Marie Kabanova, St Mary’s Runwell, One Beautiful World Arts Festival, Wickford, UK |
13th May, Near Stasis, by Samanta Lavrova and Erlend Edland, chamber recital, Norwegian Academy of Music, Oslo, Norway |
8th Feb, 2nd performance of Psalms 44, by Emma-Marie Kabanova, co-sponsored by the Cambridge Interfaith Programme, Fitzwilliam College Chapel, University of Cambridge, UK |
6th Feb, Psalms 44, for solo violin, by Emma-Marie Kabanova, for the Awake My Soul! Concert, co-sponsored by the Oxford Interfaith Forum and Deus Ex Musica, at St. Giles' Church, Oxford, UK |
29th Jan, All the Things Left Unspoken for solo saxophone, by Samuel Phua, for the MCGP Saxophone Day, Mahidol University, Thailand |
2022
14th Dec, Near Stasis, for piano and percussion, performed by Karol-Adele Grenčstein and Emil Raja, Tallina Muusika-ja Balletikool (MUBA), Tallinn, Estonia |
28th Oct, All the Things Left Unspoken, for solo saxophone, Virgil Fok, Department Concert, Hong Kong Academy for Performing Arts (HKAPA) Concert Hall, Hong Kong SAR |
5th Oct, All the Things Left Unspoken, performed by Virgil Fok at the Hong Kong Academy for Performing Arts (HKAPA) Concert Hall, Hong Kong SAR |
3rd Sep, Cello Sonata, recorded by Juan Aguilera Cerezo, Conservatorio Alcalá la Real, Spain |
28th Aug, Met en Tegen de Zuiderzee, for Contrabass Panflute, second performance by Matthijs Koene (Black Pencil Ensemble) for the Soundwalk at the UNESCO World Heritage Site Schokland and Surroundings, Netherlands |
10th Jul, Met en Tegen de Zuiderzee, for Contrabass Panflute, premiered by Matthijs Koene (Black Pencil Ensemble) for the Soundwalk at the UNESCO World Heritage Site Schokland and Surroundings, Netherlands |
6th Jul, A Commentary on Dowland's Farewell for solo guitar, performed by Bruno Pancek at the Festival International de Guitare en Béarn des Gaves, in Sauveterre-de-Béarn, France |
3rd Jul, Psalm 44 for solo violin, written for The Psalms Project, organized in collaboration with Deus Ex Musica, performed by Joseph Edwards at the Institute of Contemporary Performance at 39 Ludgate Hill, London, UK |
2nd Jul, Near Stasis for piano and percussion, performed by Aya Masui and Pierre Delignies, for the New Music Days Festival, at the Blackbox, Hochschule Luzern (Lucerene University of Applied Sciences and Arts), Lucerne, Switzerland |
18th Jun, A Commentary on Dowland's Farewell for solo guitar, performed by Bruno Pancek at the Festival International de Guitare en Béarn des Gaves, in Salies-de-Béarn, France |
9th May, Three Tree Tunes from the Garden City, for saxophone quartet, recorded by the Xin Saxophone Quartet for the Stories from Singapore project, at MusoSpace, Singapore (pending online premiere and interview) |
15th Mar, Taught Composers Seminar on 'Musical Intertextuality' (inv. by Dr Zechariah Goh), Nanyang Academy of Fine Arts (NAFA), Singapore |
12th Mar, Spring Clouds on a Misted Dawn, for the Chinese orchestra, performed by the Singapore Chinese Orchestra, SCO Composer Workshop 2022, Singapore Conference Hall |
13th Feb, Kintsugi (⾦継ぎ) for bassoon, piano and percussion, performed by Mikaela Livadiotis (piano), Jonathan Phillips (percussion) and Blair Shepperd (bassoon), released by the Luna Collective's New Sounds Concert, in London, UK |
1st Feb, Near Stasis for piano and percussion, performed by Anri Hamatani (浜谷安里) and Aona Fukushima (福嶋碧菜), recorded at the Coppice Miyoshi/Miyoshimachi Cultural Center in Saitama (Greater Tokyo Area), Japan |
13th Jan, Xenobots for bass flute, accordion and cello, Tedarim Ensemble: Jonathan Gotlibovich (Meitar Ensemble), Snir Kaduri and Yotam Einstein for the An Exit Into the Unknown Concert at Jerusalem Academy of Music and Dance, Israel |
4th Jan, Xenobots for bass flute, accordion and cello, Tedarim Ensemble: Jonathan Gotlibovich (Meitar Ensemble), Snir Kaduri and Yotam Einstein , at the CEME 2022 , International New Music Festival, Studio Annette, Tel-Aviv, Israel |
2021
27th Nov, The Memory Mansion at the End of Time for solo piano, to be performed by Jonathan Shin for the Catch Us if You Can concert at MusoSpace, Singapore |
17th Oct, Seismographs for solo theorbo, performed by Toby Carr from the Philomel ensemble, for the Theorbo Today Project, Richmond and Putney Unitarian Church, London, supported by the Arts Council of England grant |
1st Oct, Commentary on Dowland's Farewell for guitar, recorded by Bruno Pancek, La Compagnie du Coudrier, Massy, France |
1st Sep, All the Things Left Unspoken, presented in the Singapore Symphonic Orchestra's SSO Musical Soundbites educational series |
25th Jul, The Waltz in the Remembering Ear for mixed quintet, performed by Rita Fernandes, Abigail Lorimier, Daniel Swani, Leona Ana-Maria Crasi and Joanne Chiang. Conducted, filmed and produced by Bernardo Simoes. Recorded at the David Josefowitz Recital Hall, London |
9th Jul, All the Things Left Unspoken, for Samuel Phua, performed at Nanyang Academy of Fine Arts (NAFA), for the 10th edition of the Singapore Saxophone Symposium's Soliloquy concert, Singapore |
2nd Jun, Kintsugi for bassoon, piano and percussion, the Luna Collective, David Josefowitz Recital Hall, Royal Academy of Music, London |
6th May, Near Stasis for piano and vibraphone, Joanne Chiang and Julian Chan, featured in the UK Conservatoires Composers' Concert (online) |
27th Apr, I Came I Slept I Departed for string quartet, the Hill Quartet, Concert Room, Royal Academy of Music, London |
19th Apr, Xenobots for bass flute, accordion and cello (Carte Blanche project), RAM students, Concert Room, Royal Academy of Music, London |
7th Apr, The Canonical Hours for chamber ensemble (Book of Hours project), CHROMA, St. Mark's Regents Park Church, London |
1st Apr, All the Things Left Unspoken, for Samuel Phua, performed at the Sibelius Academy in Finland |
26th Mar, The Memory Mansion at the End of Time for solo piano (Harrison's Clocks project), George Fu, David Josefowitz Recital Hall, London |
9th Mar, Spring Composers' Platform, Near Stasis for percussion duet, Joanne Chiang and Julian Chan, David Josefowitz Recital Hall, London |
1st Feb, Beyond the Nightingale Glass, for brass quartet and narrators, narrated by Jemma Claire-Weil** |
2020
1st Dec, 傳承 Concert Series, Triptych for solo piano, performed by Nicholas Loh, Esplanade Recital Studio, Singapore, supported by the National Arts Council of Singapore (NAC) |
1st Nov, Composer Platform, She Gently Rocks the Cradle for soprano and ensemble, performed by students of the Royal Academy of Music, Angela Burgess Recital Hall, London |
1st Nov, IMPRINT Concert Series, Carnival Duet for saxophone and clarinet, performed by Samuel Phua and Ralph Emmanuel Lim, Festive Arts Theatre, Singapore, supported by the National Arts Council of Singapore (NAC) |
1st Oct, Conservatoire recital, Sketches for solo piano, performed by Jeonghoon Lee, Hochschule für Musik Nürnberg, Germany |
1st Jun, Stained Glass for solo piano, performed by Maria Marchant (digital premiere), London, 7 Notes in 7 Days Project |
1st Mar, KCL composer workshop, Chiasmus for quintet, performed by the Lontano Ensemble, Strand, King's College London, London |