2022 | Spring Clouds on a Misted Dawn for the Chinese orchestra (26 musicians) |
Orchestral Works
Chamber Works
2024 | Watercolour Clocks, for string quartet |
*works in progress | |
2019 | Animals! for mixed quartet (flute, clarinet, violin, cello) |
2019 | Near Stasis for vibraphone and piano |
2019 | Chiasmus for quintet (oboe, bass clarinet, horn, violin and viola) |
2020 | Carnival Duets for alto saxophone and clarinet |
2020 | She Gently Rocks the Cradle for flute, mezzo-soprano, vibraphone, guitar and piano |
2020 | I Came I Slept, I Departed for string quartet |
2020 | The Canonical Hours for sextet (flute, clarinet, harp, vibraphone, piano and cello) |
2021 | Kintsugi for trio (bassoon, piano and percussion) |
2021 | Xenobots for trio (bass flute, accordion and cello) |
2021 | The Waltz in the Remembering Ear for mixed quintet (recorder, vibraphone, piano, violin and cello) |
2022 | Three Tree Tunes from the Garden City for saxophone quartet |
2023 | Speak-Un-Listen for voice, viola d'amore and Finnish kantele (5-strings) |
2023 | Fragments of Sappho for viol consort and narrator |
2024 | Exegesis and Commentary on Purcell's Fantasia in D Minor, for Sackbut Ensemble |
Choral Works
2019 | O Magnum Mysterium for SATB choir |
Solo Works
*works in progress | |
2019 | Triptych for solo piano |
2020 | Is Anyone Out There for accordion |
2020 | Two Paintings for alto saxophone and silent piano |
2021 | The Memory Mansion at the End of Time for solo piano |
2021 | Seismographs for theorbo |
2021 | All the Things Left Unspoken for alto saxophone |
2021 | Commentary on Dowland's Farewell for solo guitar |
2022 | Psalm 44 for solo violin |
2022 | Sonata for solo cello |
2022 | Met en Tegen de Zuiderzee for contrabass panflute |
2023 | 五首序曲 for solo piano |
2023 | Sonata for solo accordion |
2024 | NEW WORK for solo lute* |
Media
2021 | Subnautica Trailer (Unknown Worlds Entertainment), rescore for string orchestra and percussion |
Reviews
2023 | 23rd Aug, Review of Cello Sonata, by Brian Patrick Bromberg, to be released on the Hong Kong Cellist Society in late 2023 |
2022 | Spring 2022, work featured in 'Contemporary music for the theorbo: creating a new repertoire', by Janet Oates, in National Early Music Association (NEMA) Newsletter vi/1 (Spring 2022). Article here. |
Seminars/Workshops
2024 | 15th Jan, Young Composer Forum (inv. guest speaker by Composers Society of Singapore), Stamford Arts Centre, Singapore |
2022 | 15th Mar, Composers Seminar on 'Musical Intertextuality' (inv. by Dr Zechariah Goh), Nanyang Academy of Fine Arts (NAFA), Singapore |
2022 | 6th Nov, 'The Art of Stealing in the Art of Music', Say Say Borak, Composers Society of Singapore |
2023 | 11th Feb, 'Temporality and the Perception of Musical Time', Say Say Borak, Composers Society of Singapore |
2023 | 20th May, 'Experimental Tradents in Popular Music', Say Say Borak, Composers Society of Singapore |
Interviews
2021 | 9th CSS Composer of the Month interview with Gu Wei, Composers Society of Singapore |
2022 | New Sounds Concert interview with composer Ellen Drewe, Royal Academy of Music, London, UK |
2022 | 12th Mar, Sharing Session Interview, Singapore Chinese Orchestra's Composers Workshop 2022, Singapore Conference Hall, Singapore |
Articles Written
2021 | The Psalms Project: Contemporary Sacred Music for Solo Violin, written for The Strad, UK, (published 21st Dec 2021) |
2022 | Ding Yi Composium 2021 - Reflections on Open Rehearsals, written for the Composers Society of Singapore (CSS) and Ding Yi Music Company, (published 4th Jan 2022) |